My work is an investigation into finitude, disappearance, and the permanence, even without flesh, of bodies. Fragile bodies, incapable of escaping death, essentially solitary — and yet, insistent. Bodies that desire, that persist, that create objects capable of altering their surroundings and leaving traces, however brief, of their journey through the material world.
With a hybrid background in theatre, dance, and visual arts, my works are born from long processes, matured over the years, in continuous collaboration with the same constellation of performers and artists. They are creations that inhabit diverse languages and unfold in durational performances, founded on minimal, repeated, almost absurd gestures—actions that radically displace the function of the body in space, and that always delve into the history of performance and dance.
By immobilizing bodies, laying them down, making them rest, confining them through sculptures, or surrendering them to the pathetic, I seek to make visible the web of forces with which every body is in relation. I always try to remind myself and the audience that we are not only beings who act, but also bodies that allow ourselves to be affected.


AGENDA 2026
AUG
XXIV INTERNATIONAL ART BIENNIAL OF CERVEIRA (CERVEIRA/PORTUGAL)
MIACENA FESTIVAL (SÃO PAULO/BRAZIL)
SET
PIVÔ RESIDENCE SALVADOR (BAHIA/BRAZIL)

Artist and researcher of performance art and dance. PhD in Performing Arts from ECA-USP, with research internship at Justus Liebig Universität Giessen (Germany) and an award-winning thesis on the relationships between performance, neoliberalism, and presence. He has created commissioned performances for the Pinacoteca de São Paulo, Theatro Municipal de São Paulo, MAM-SP, and the Sesc Dance Biennial, as well as solo exhibitions at the 33rd CCSP Exhibition Program, Paço das Artes Project Season, and Centro Cultural Correios (São Paulo and Rio de Janeiro), among others. Since 2015, he has taught theoretical and practical performance classes at institutions such as MAM-SP, Sesc, and Itaú Cultural. His works are in several collections, including the Museu de Arte do Rio, Museu da Inconfidência, and Museu de Arte do Espírito Santo. She has completed residencies in Brazil, such as Pivô and Sacatar, as well as international residencies in Germany (Werkstattwoche, 2025) and Portugal (CAAA, 2015). Currently, she curates and conceptualizes the public performance program at the Tomie Ohkate Institute.
